Disaster Amnesiac mentions all of this not as some sort of qualifier for approval, but simply because Collision Stories do such a fine job of making compelling music from within those stated rubrics. Made up of ten interlinked parts, running continuously for a bit over an hour, Those Missing features all kinds of great, mysterious sound interactions between a quartet of highly skilled improvising experimenters. Collision Stories are making true band music, but have simply dispensed (for the most part: Disaster Amnesiac has heard a few guitar strings in the mix) with the usual instruments, instead jamming out group interactions more with electronic patches, stand-alone pedals, contact mic'd stuff, and Public Eyesore Records founder Bryan Day's fascinatingly singular instrumental creations. The disc's ten tracks feature disciplined movement as the group wends its way with a quite sublime mixture of focus and patience, through highly intriguing sound spaces. Themes arise from one player, the rest of group, as they are listening, are able to add to and comment on these themes; this interaction builds up layers that rise and move with a nice organic feel. Additionally, its engineering, so crisp and clear, really allows for deep appreciation these feels.
This is band music in principle and act, top flight Industrial/Experimental band music. As such, it can complement the sounds that whirl around those of us living within the Grid, or, presumably, entertain those that may have the luxury of not having to do so.
In Disaster Amnesiac's case, Those Missing Will Complete Us satisfactorily fits into my mental imprinting, done long ago, for appreciation of the type of action offered from Collision Stories. I guess one could miss out and complete Jorge Bachman, Michael Gendreau, Mason Jones and Day, but, as for me, I'm glad to have broken off a piece or two.